Showing posts with label Stories. Show all posts
Showing posts with label Stories. Show all posts

Monday, March 7, 2011

A Million Miles in a Thousand Years


I read books much like a crane captures his dinner. He flies low across the lake then dives headlong and deep once he spies something worth catching. After hovering high over A Million Miles in a Thousand Years for weeks with no commitment, I gifted it to a friend who really wanted it. At Christmas time, she sent it back! No, not a return. A re-gifting, of sorts, with an attached note saying she enjoyed the book so much she wanted me to borrow it. And read it. “But,” she concluded, “You don’t have to read it all.” She knows me. If she says it’s my turn to read, I’ll take my turn.

I’m glad I did.

When Blue Like Jazz came out, Donald Miller’s mega-hit memoir, I tried like crazy to love the book all my friends couldn’t live without. I couldn’t get past the first few chapters. But I’m not the same girl I was then. Nor is Donald the same guy.

I took in every word on every page of Million Miles and celebrated life. His. Mine. Even yours. For in the span of these pages, beginning to end, Donald moved from being an “incidental memoirist” to becoming a “deliberate mentor.” He writes his journey of transformation in a way that brings me up close to his story and connects me with my own, inviting me into something more, as a good mentor would.

Donald’s wit and delivery make me laugh. Yet I’m struck by the depth of insight he seems to speak over his shoulder while engaging with the story unfolding in front of him. He sees. And as he sees, he ascribes meaning to the life he finds. Not as an observer, but as a witness. He allows himself to enter fully into a scene and be affected by it. Then he testifies to the Truth in it.

He describes times when he would rather stay on the couch than stand up to choose a better life, a better story. But varying incidences bring him into the company of some outstanding people. People who see him. People who enter into his story and affect his character arc. He embraces their influence and receives their insight. They guide him into positive turns and help him to avoid negative ones.

In a scene toward the end of the book, Donald describes kayaking with his friends up the Jervis inlet in British Columbia. A mile-wide inlet with cliffs on either side, “the stone faces of the mountains come into the water like walls.” They had been up since before dawn, stopped to spend the day with an unexpected friend and found themselves paddling through the hardest part of their journey in the pitch of night. “If it weren’t for the other guys in the kayaks, I would have quit that night. . . . I would have lay down in my hatch and slept and drifted out with the tide.”

But he didn’t quit. Not on his friends. Not on his life. He responded to his mentors, and he’s living a better story because of it. Come to think of it, so am I.


To read more from Donald Miller and to find out how to GET A FREE PAPERBACK COPY OF A MILLION MILES THAT JUST RELEASED, visit http://donmilleris.com/.

To see the impact of his transformation, visit http://thementoringproject.org/. They’re looking for summer interns!

To consider the impact of your story, give a look:

What story are you telling? from Rhetorik Creative on Vimeo.

Sunday, March 22, 2009

Soaking Up Stories in Winter Park

A few weeks ago Facebook reconnected me to a friend through its 140-character-updates. Friday a shared appreciation for art and Winter Park reconnected our hearts with 140-sentence (or more) stories! We strolled down memory lane and walked the brick-laid streets while soaking up the sun and the stories comprising our lives.

Cheri moved to Orlando this week from Wisconsin. It’s been more than ten years since we last spent time together. But by the time we got our lunch at The Briar Patch, our Cincinnati-learned rhythms of conversation returned. You eat; I’ll talk. I’ll eat; you talk. You cry; I’ll stop. I’ll cry; you stop. You laugh; I’ll laugh. I’ll laugh; you laugh.

The patterns continued as we wandered through the crowd, pausing at times in the middle of the street to absorb the depth of the other’s words or to capture the glint of joy in the other’s eyes. But ours weren’t the only stories unfolding. Lining the walkways and byways of the park — nah, the entire town — master artists displayed their tales through various mediums. Clay, pounded metal, watercolors, batik, woven straw, blown glass, photographs, oils, even digital images all revealed the essence of something more.

We casually took in the occasional perspective of ships at sea and hillsides adorned with the colors of spring. We took time to consider the unique, discuss the eccentric, honor the beautiful. A few of these expressions took our breath away, and at once breathed life.

This scene from an Afrikan Market in MALI, vivid and true in its representation, held as its caption: The aim of every artist is to arrest motion, which is life . . . and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life (William Faulkner). 

Enthralled? I was too! Imagine it in uber-high resolution, taking up the whole corner of a booth! I could almost smell the sweet bananas and hear the marketers proclaim their goodness to us passersby.


From inside the booth, quietly inviting 
us in to behold the outline of his life, hung a large image called The Prophet, taken in India. Every stunning detail of this man's face revealed a life far different from mine and brought me right up into his personal space. 

How could this man’s breath have been captured without interrupting his breathing? Intimate. Welcoming. Soul-stirring. It’s a photograph, yet I imagined he might be reading the stories of my own heart. Impossible, I know. But it turned me to the Spirit of the Living God.



This group of young boys gathers around The Storyteller in Kashi, China.

Can you contain the smile that breaks out when you gaze upon these wonders? Words can hardly express the joy that spreads across my face. Wonder. An appreciation for the story. 


Emerson Matabele engaged me with his visual storytelling. So real. So personal. So graceful. May it be that I would offer such care for the hearts of the people I encounter.

What a rich, rich day. Filled with laughter, refreshment, the warmth and glow of the sun, expressions of beauty in art, and the stories we shared as we reveled in the life and breath of God's creation. 


Let everything that has breath praise the LORD. Psalm 150:6